“Wolf Man” tells the story of Blake Lovell (Christopher Abbott), his wife Charlotte (Julia Garner) and their daughter Ginger (Matilda Firth) as they journey from New York City to the wilderness of Oregon to clean out Blake’s father’s house after he passes away.
Monster movies are a genre that have been remade, sequel-ized, and updated. Some are silly, some are ho-hum, and some are worth a reboot. ‘Wolf Man’ (IMDb) One such worthy tale is
The staggering natural beauty of the Pacific Northwest becomes a bloodied hunting ground in writer-director Leigh Whannell's latest stab at monster mayhem: Wolf Man (now playing in theaters everywhere;
Wolf Man 2.5 out of 5 Stars Director: Leigh Whannell Writers: Leigh Whannell, Corbett Tuck, Lauren Schuker Blum, Rebecca Angelo Starring: Christopher Abbott, Julia Garner, Matilda Firth, Sam Jaeger Rated: R for bloody violent content, grisly images and some language.
The writer-director was partially inspired by a close friend who died of ALS, but ultimatley lost a scene involving the affliction: "That's definitely one that hurt when I took it out."
The Invisible Man’ director Leigh Whannell transforms the ‘Wolf Man’ into a story of a guy trying to avoid turning into his father.
Wolf Man has come howling into theatres and this update of the classic horror story has made quite a few changes to stand apart from older versions.
Goodness Gracious, this is one of the worst werewolf movies I've ever seen. While Leigh Whannell does a great job directing the movie, his story was extremely underwhelming, as the wolf man in the title isn't actually a werewolf, but a man with what I can only describe as advanced rabies.
Review: I liked Leigh Whannell’s take on “The Invisible ... and son hunting in a remote location in the forests of rural Oregon. The pair are attacked by a beast. Fortunate to escape, the ...
Corbet’s complex Brutalist rewards the patient Brady Corbet's The Brutalist is an anomaly in the current cinematic landscape. An emotional epic, it traces the
Wolf Man' reminds us that the best monsters are the ones that mirror our deepest fears—and our capacity to survive them.
Leigh Whannell’s Wolf Man manages to strip the genre of its last shreds of dignity, replacing suspense with an onslaught of gore and nonsense.